Brett Polegato
baritone
BiographyBrett Polegato as Figaro in Il Barbiere di Siviglia, Vancouver Opera

 
 
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Brett Polegato's artistic sensibility has earned him the highest praise from audiences and critics: “his is a serious and seductive voice” says The Globe and Mail, and The New York Times has praised him for his “burnished, well-focused voice” which he uses with “considerable intelligence and nuance.” He appears regularly on the world's most distinguished stages including those of Lincoln Center, the Metropolitan Opera, La Scala, the Concertgebouw, the Opéra National de Paris, Glyndebourne Festival Opera, the Lyric Opera of Chicago, Houston Grand Opera, the Teatro Real, Roy Thomson Hall, the Kennedy Center, Carnegie Hall and Wigmore Hall, and has collaborated with conductors such as Yannick Nézet-Séguin, Daniele Gatti, Andris Nelsons, Bernard Haitink, Seiji Ozawa, Jeffrey Tate, Marc Minkowski, and Martyn Brabbins. He can be heard as soloist in the Grammy Awards’ Best Classical Recording of 2003 - Vaughan Williams’ A Sea Symphony (Telarc) with the Atlanta Symphony Orchestra under the baton of Robert Spano.

Brett's 2019/2020 season begins with his long-awaited debut at the Metropolitan Opera in September and October, singing de Brétigny in Massenet's Manon. The final performance will be broadcast live in cinemas around the world. On the heels of these performances, he rejoins the Pax Christi Chorale for the world premiere of Stephanie Martin's The Sun, The Wind, and the Man with the Cloak. In December, he travels to Victoria for performances of Handel's Messiah with the Victoria Symphony and in January, will be heard in recital at the Hamilton Conservatory. March finds the baritone in Beirut, Lebanon at the Al Bustan Festival for performances of Beethoven's Missa Solemnis and Ninth Symphony, and in Bari, Italy as Robert Baker in a concert performance of Bernstein's Wonderful Town. He finishes the month singing Mahler's Kindertotenlieder with Symphony Nova Scotia. He journeys westward in April to make his role debut at the Musiklehrer in Strauss's Ariadne auf Naxos for Calgary Opera and returns to Calgary in June for a series of world premieres with the Land's End Ensemble, as they celebrate the 60th birthday of composer, Randolph Peters. His season finishes in a rare performance of Georgy Sviridov's epic cycle, Petersburg, A Vocal Poem, with the Off Centre Music Salon in Toronto.

Brett began his 2018/2019 season in Ireland where he made his role debut as Dr. Joseph Talbot in the European premiere of William Bolcolm's new opera, Dinner At Eight for Wexford Festival Opera. In November, he made a rare appearance in his native Toronto singing Albert in a concert performance of Massenet's Werther for Opera In Concert. After spending the holidays at home, he travelled to Montreal for another debut: Howie Albert in the Canadian premiere of Terence Blanchard's Champion for the Opéra de Montréal. In March, Mr. Polegato returned to Ireland to sing one of his signature roles, Sharpless, in Puccini's Madama Butterfly for the Irish National Opera and then travelled immediately to the United Kingdom to reprise Rodrigo in Verdi's Don Carlo for Grange Park Opera. He finished an already impressive season in July, when he made his Wigmore Hall recital debut with pianist, Iain Burnside.

One of today’s most sought-after lyric baritones on the operatic stage, Brett has made a name for himself in a number of dramatic roles, most notably the title roles in Don Giovanni and Eugene Onegin, which his has sung at the Canadian Opera Company, the New Israeli Opera, Grange Park Opera and Vancouver Opera. In July of 2017, he made his role debut as Amfortas in Wagner's Parsifal under the baton of Yannick Nézet-Séguin, at the request of the maestro, for the Festival de Lanaudière. His critically acclaimed portrayal of Kurwenal in Tristan und Isolde has been seen most recently by the audiences of the Théatre des Champs-Élysées and the Opera di Roma with maestro Daniele Gatti, as well as the Opéra de Bordeaux, Wide Open Opera (Ireland) and the City of Birmingham Symphony Orchestra. In the fall of 2010, he journeyed to Moscow to sing the title role in Berg's Wozzeck at the prestigious Bolshoi Theatre in a production directed by Dmitri Tcherniakov and conducted by Teodor Currentzis. He has appeared frequently in the title role of Pelléas et Mélisande, including new productions at the Strasbourg’s Opéra National du Rhin, at the Leipzig Opera conducted by Marc Minkowski, and in Munich with Marcello Viotti. Pelléas was also the role which marked his Paris Opera debut in September of 2004. Another of his signature roles is Il Conte Almaviva in Mozart’s Le Nozze di Figaro, which his has sung to great acclaim for companies that include New York City Opera, L’Opéra de Montréal and Norwegian Opera in Oslo. He has appeared with the Chicago Lyric Opera, Houston Grand Opera, Seattle Opera, Opéra de Genève, Glyndebourne Festival Opera, Opéra National de Toulouse, Teatro Real in Madrid, Saito Kinen Festival, Florence’s Maggio Musicale, Vlaamse Opera, Canadian Opera Company, Vancouver Opera and Calgary Opera in over 50 roles, including Rodgrigo (Don Carlo), Ford (Falstaff), Balstrode (Peter Grimes), Zurga (Les Pêcheurs de Perles), Starbuck (Moby Dick), Lieutenant Audebert (Silent Night), Oreste (Iphigénie en Tauride), Yeletsky (Pique Dame), Frank/Fritz (Die tote Stadt), Sharpless (Madama Butterfly), and Marcello (La bohème).

Equally at ease on the concert and recital stages, Mr. Polegato made his Carnegie Hall recital debut at Weill Recital Hall in May 2003 with pianist, Warren Jones. He returned the following year with the Atlanta Symphony to reprise their Grammy Award winning performance of A Sea Symphony, and again in 2012, as soloist in Walton's Belshazzar's Feast. As part of "Bernstein At 100," he made his debut with the Orchestre National de Lille as the Celebrant in Bernstein's Mass. In 2012, he garnered critical acclaim as soloist in Zemlinsky's Lyrische Symphonie with conductor, Yannick Nézet-Séguin, and for his interpretation of the title role in Mendelssohn's Elijah for the Elora Festival. In 2005, he made his highly-acclaimed debut with the Cleveland Orchestra, in a programme which included Vaughan Williams’ Five Mystical Songs and Fauré’s Requiem. He has appeared as soloist with Leonard Slatkin and the National Symphony Orchestra in Walton’s Belshazzar’s Feast at Wolf Trap, the Chicago Symphony in the U.S. premiere of Saariaho’s Cinq Reflets, the Boston Symphony Orchestra in Mahler orchestral lieder, the Rotterdam Philharmonic Orchestra under the baton of Yannick Nézet-Séguin, the Toronto Symphony in Beethoven’s Ninth Symphony, Mahler’s Des Knaben Wunderhorn, and Jeffrey Ryan's Afganistan: Requiem for a Generation, and the Calgary Philharmonic in John Adams' The Wound Dresser. In 2002, he returned to the London BBC Proms for a concert performance of Ravel’s L’heure espagnole with Gianandrea Noseda conducting, and rejoined the National Symphony Orchestra at the Kennedy Center for Brahms’ Ein Deutsches Requiem. He has performed Handel's Messiah with the Toronto Symphony and Sir Andrew Davis, and with the Handel & Haydn Society under Andrew Parrott. As a recitalist, Mr. Polegato appears frequently throughout North America and Europe, and is particularly noted for his programming choices and wide range of repertoire.

Polegato's discography shifts as seamlessly through genres as his live appearances. In addition to the Vaughan Williams' A Sea Symphony, his recordings include the Vaughan Williams' Dona Nobis Pacem (ASO Media), Ben Moore's Ode To A Nightingale (Delos), his critically praised solo disc, To A Poet, with pianist Iain Burnside (CBC Records) and a live period-instrument performance of Messiah with the Handel & Haydn Society (Arabesque Recordings). With the Tafelmusik Baroque Orchestra he has recorded Bach's Coffee and Peasant Cantatas (Analekta-Fleur de Lys) and, most recently, Handel's Messiah. In March 2000, CBC Records released a disc entitled Opera Encores that joined him with the Canadian Opera Company Orchestra led by Richard Bradshaw. His opera recordings include Emmerich Kálmán's Die Herzogin von Chicago (Decca) with the Berlin Radio Symphony Orchestra, and Gluck's Armide with Les Musiciens du Louvre (Deutsche Grammophon's Archiv label).

He finished first among the men at the 1995 Cardiff Singer of the World Competition. Mr. Polegato is represented exclusively by Simon Goldstone at Rayfield Allied.

November 2019